Faerie Lore and Legends

This brings me back to a crazed David Icke conspiracy theorist named Purple Crow in Vancouver BC when I think of lizard men, or the famous telvision show “V”. The Lizard Man of Scape Ore Swamp or the Sumter Lizard Man, the Lizard Man of Lee County, or the South Carolina Lizard Man are all titles of a mythological modern-day creature haunting the backwoods and swamps of South Carolina. Native American legend with oral lore from 1972 in the area is claimed that the Inzignanin near Chicora by the South/North Carolina border told of fishy humanoids covered in scales, 5 feet tall, with fairly inflexible tales 18 inches long, and webbed hands. He was first reported being seen on June 29, 1988 and ever since has been popping up in urban folklore. He has been described as a reptilian humanoid cryptid living either in the South Carolina swamps or within abandoned subways or sewers in towns near the swamps. He is described as standing over 7 feet tall, bipedal, muscular, covered in scaly lizard-like skin with dark hair (similar to big foot). He has been said to have only three toes on each foot and three fingers on each hand and maybe flaunting a tail. In June of 1988, a 17 year old boy named Christopher Davis claimed to have been attacked by the creature on his way home from work when he was changing a flat. He claimed the creature tried to grab at his car and climbed onto his roof as he sped off to escape the attack. He claimed the creature damaged his side mirror and scratched his roof. He claimed it was lizard like with red glowing eyes, three big fingers, long black nails, and green rough skin – all green and angry, grunting, and chasing him. That month there were several more reports by others of being attacked, with unusual scratches and bite marks found on cars parked close to the swamp, all within three mile radius of the swamps of Bishopville, South Carolina. Police at the time were perplexed, trying to balance between disbelief and humor to concern and intrigue, thinking it was actually a bear not a lizard man. Two weeks later, the sheriff’s department made several plaster casts of what appeared to be three-toed footprints, measuring 14 inches in length, that were later labelled unclassifiable. They were cited as not belonging or matching any other footprints of any other recorded animal on record. Tourists and cryptid hunters began plaguing South Carolina in search of the beast, with even radio stations such as WCOS offering a million dollar reward to anyone who could capture it alive. On August 5th, an airman from Shaw Air Force base named Kenneth Orr, filed a report with the police claiming to have encountered the creature on Highway 15 and having shot/wounded it. He gave to evidence several scales and some blood. He later confessed to inventing the sighting after being cited for unlawfully carrying a gun and a misdemeanor offense for filing a false police report. 2004 reports of a creature trying to snatch and drag a young girl into the river was blamed on the Lizard Man, but later theorized to have been an alligator. In 2005, the South Carolina Lottery used the creature in their television advertisements, and later that year a woman from Newberry claimed to have seen two Lizard man creatures outside her home. In 2008, Bob and Dixie Rawson, a couple in Bishopville South Carolina reported being attacked and damage to their car with traces of blood and claims that these creatures killed their cats. Police claim it was a wolf or coyote. After investigating the claim, E.J. Melvin, the Lee County Sheriff discovered a dead cow and coyote in a field next to the Rawson homestead. History Channel’s “MonsterQuest” investigated the legend, showing that it was not possible for a canine to have caused such damage on the Rawson’s car, it would have taken over 300 lbs of torgue to cause that kind of damage. By 2010, the show “Destination Truth” investigated the legend claiming the footprints were a hoax and the creature fabricated as a means of tourism, extensive local merchandising, and fandom. Lee County Chamber of Commerce hosts a 5 km Lizard Man run, sells Lizard Man shirts, and a Lizard patrol shirt. Another report in 2011 by a couple claiming to have had their car mauled by something tall with similar damage as the others. Reptilian humanoid creatures have been reported through history – the Greek God of the cold north wind, Boreas was described as a winged man with serpents instead of legs; Crecrops I was a half-man, half-snake mythical king of Athens; Chinese Mythology has reptilian humaoid dragon kings as well as a serpentine figure named Fu Xi; There is the snake God named Glycon who has a human head; The Lord of the Tree of Life from the Epic of Gilgamesh links Ningizzida with the water serpent constellation Hydra; the Chinese Dragon thunder God Shenlong is depicted with a human head and dragon’s body; the Ancient Egyptian God Sobek has a crocodile head; the Aztec God Tlaloc has snake fangs; the Greek “Father of all monsters” Typhon was a man from the waist up with a mass of seething vipers from the waist down; the Zoroastrian God Zahhak grows a serpent on either of his shoulders; The wife of Typhon is a half-woman half-snake Goddess named Echidna; in Portugese and galician folklore there is a snake goddess named Moura with long blond hair and a snake body; and of course MEdusa and the Gorgons in Greek mythology; the Lamia – a Greek female demon as half-woman, half snake; Islamic mythology depicts some djinn as half human and half-serpentine; Indian Naga were reptilian beings living underground and interacting with humans atop; the Genesis creation of the Serpent identified with Satan was known to be either male/female in mythology.

More info:
• http://voices.yahoo.com/the-legend-lizard-man-sumter-south-carolina-1337103.html?cat=9
• http://www.huffingtonpost.com/2011/07/14/lizard-man-mauls-south-carolina-car_n_897476.html
• http://en.wikipedia.org/wiki/Lizard_Man_of_Scape_Ore_Swamp
• http://www.cryptomundo.com/cryptozoo-news/scbf09/

Gogmagog: Gog and Magog
Goemagot, Goemagog or Gogmagoc; He of the Two Horns, He of the Two Ages, Gogmagog and Corineus

These ancient Giants (i.e. Titans, titans, fomorians, ancient ones) known as “Gog” and “Magog” in Paganism are descendants of early pre-Christian Giants of early English pageantry who were very tied to early Britain. The myth states that the Roman Emperor Diocletian had 33 wicked daughters whom he married off to 33 husbands who curbed their unsettling ways. However the daughters were so wicked, led by the eldest sister Alba, they plotted to cut the throats of their husbands as they slept. As punishment for this crime, they were set adrift in a boat with a half year’s rations of food, shunned forever. They drifted ashore the isles of what later became “Albion” (named after the eldest). Fornicating and coupling with demons, they populated the wild windswept island with a race of giants. Some say this was the Islands of what is known as modern day “Ireland” and became to be the legendary giant race of Fomorians while others claim it was the island of “Britain” and were the Giants who lived in these lands. When Brutus, great-grandson of Æneas, in company of his most able-bodied warrior Corineus, fled the fall of Troy, they by fate found themselves on these islands of Giants. Brutus was impressed with these isles so much that he named the Islands after himself, which later became called “Britain”. The leader of the Giants was a detestable monster named Goëmagot (Gogmagog), who stood in stature twelve cubits, and of such prodigious strength that at one shake he pulled up an oak as if it had been a hazel wand. Brutus and Corineus faced “Gogmagog“, had combat, and hurled him from a high rock to his death. (This place, called “The Giant’s Leap”, “Langnagog”, are disputed being in Ireland as well as Cornwall) As a reward for this defeat, Corineus was given the western part of the island, which many say is how Cornwall was called after him. After this defeat, Brutus travelled to the East and founded the city of New Troy, which eventually became known as “London”. [Geoffrey of Monmouth’s 12th century Historia Regum Brittaniae] Some correspond these myths to the biblical tale of Samson and Greek mythology of Hercules. Others argue that Gogmagog was a corruption of Gawr Madoc (Madoc the Great).

Another mythos to their origins tell that the 33 infamous daughters of Diocletian who were captured and chained at the gates of Guildhall as guardians had given birth to numerous sons who were deemed to be “Giants”. The last two survivors of these offspring, were “Gog” and “Magog”. This comes from the lore around the carved giants guarding the gates of Guildhall during the reign of Henry V. They were added to the Lord Mayor’s Show in 1554 which were labelled in 1605 as Corineus and Gogmagog. After much destruction of London by the great fires in 1666, they were resurrected in the Guildhall with the intent that they were to be seen daily all year and never to be demolished again such as the dismal violence as happened to their predecessors during the fires. Since these were made of wicker and pasteboard, they didn’t last very long, as they were eaten by rats. In 1708 they were replaced by a pair of wooden statues carved by Captain Richard Saunders which lasted for 200 years until destruction in the blitz. In 1953 they were replaced by the current carvings in the Guildhall created by David Evans as a gift to the City by Alderman Sir George Wilkinson who had been the Lord Mayor in 1940. Gog and Magog came to symbolize the links between the modern business institutions of the City to its ancient history. They have been coronated by Thomas Boreman in his “Gigantick History” of 1741 as:

“Corineus and Gogmagog were two brave giants who richly valued their honour and exerted their whole strength and force in the defence of their liberty and country; so the City of London, by placing these, their representatives in their Guildhall, emblematically declare, that they will, like mighty giants defend the honour of their country and liberties of this their City; which excels all others, as much as those huge giants exceed in stature the common bulk of mankind.”

Another mythos could be relating them to Gyges or Gugu, the king who made Lydia a significant power. Some say the prophet Ezekiel utilized his history symbolically to tell this tale and referring to Asia Minor origins for convenience. Alexander the Great was also associated with Gog and Magog, identified as such in works glorifying the life and deeds of Alexander as someone who personally strove to keep Gog and Magog out of the civilized lands. This is related to the impenetrable wall he built to block off a pass in the Caucasus. The Quran also makes reference to a wall built to keep out Gog and Magog, which will be destroyed in the last days. Some equate this wall with Alexander’s, others with the Great Wall of China, and others as the Iron Curtain.

Gog and Magog don’t only have a place within Paganism, more so found Within much of J-C-I mythology (Judaism, Islam, Christianity), is an abundance of their existence in the lore, history, and beliefs of these peoples and/or faiths, especially as they pertain to future prophecies and catastrophism. Found in the Qur’an, Book of Ezekiel, Book of Genesis, and the Book of Revelation. These “supernatural beings” are also referred to as “demons” and “races” that once predated upon the Earth. According to Islam and Christianity of this being(s) were “war” incarnate, and was a great and righteous ruler (He of the Two Horns) or one that impacts two ages (He of Two Ages), would travel the world in three directions, until he found a tribe threatened by himself, or who were of an evil and destructive nature and caused great corruption upon the Earth. Often humans would offer tribute to Gog and Magog for his protection with the hope that he’d agree to help them. However, Gog and Magog notoriously declined the tribute. Because of this, according to legend, humanity constructed a great wall that all the hostile nations could not penetrate, trapping them there until doomsday, that their escape will be a sign of the end … “The War of Gog and Magog” would precede the return of Jesus.

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Ossian’s Grave
* Cloghbrack * Cushendall * Northern Ireland *

The fabled site of where the wandering poet, bard, and seer “Oisin” is believed to be buried. Atop a hill overlooking the valley and down into the Glen as well as over the Channel to be able to see Scotland on a clear day, the location for this small megalithic tomb is spectacular. The Tomb faces East, South-east next to an oval cairn dedicated to poet John Hewitt. Oisin’s Grave / Ossian’s tomb is a small megalithic semi-circular court opening into a two-chambered burial gallery. The back chamber is composed of two sidestones at the southwest, a back or sidestone at the northeast, with a pair of transverse jambs higher than the other stones as if they may have been originally designed as portals. The Forechamber is in very poor shape with only 2 sidestones intact with a pair of portal stones. Within the chamber lies a fallen stone that may have been the displaced roof-stone. The large court dominates the tomb, but additional stones suggest that the court may have belonged to two periods, relating to a back chamber and subsequent fore-portals.

A great irish poet, John Hewitt was very impressed with Ossian’s grave and the megalithic tomb that exists on this hill. So much that he wrote a poem about the site called “Oisin’s Grave: the horned cairn at Lubitavish, Co. Antrim”. Because of this, a stone cairn in Hewitt’s memory was constructed here in 1989 commemorating him as the “Poet of the Glens”.

We stood and pondered on the stones
whose plan displays their pattern still;
the small blunt arc, and, sill by sill,
the pockets stripped of shards and bones.
The legend has it, Ossian lies

beneath this landmark on the hill,
asleep till Fionn and Oscar rise
to summon his old bardic skill
in hosting their last enterprise.

This, stricter scholarship denies,
declares this megalithic form
millennia older than his time –
if such lived ever, out of rime –
was shaped beneath Sardinian skies,
was coasted round the capes of Spain,
brought here through black Biscayan storm,
to keep men’s hearts in mind of home
and its tall Sun God, wise and warm,
across the walls of toppling foam,
against this twilight and the rain.

I cannot tell; would ask no proof;
let either story stand for true,
as heart or head shall rule. Enough
that, our long meditation done,
as we paced down the broken lane
by the dark hillside’s holly trees,
a great white horse with lifted knees
came stepping past us, and we knew
his rider was no tinker’s son.

Nearby in Glenariff Park, there is a myth that Oisin had once tried to outrun a band of Vikings in this forest. When they closed in on him, he climbed down a steep gully, as just as he was about to plunge to his death, a mysterious grey rope-like column appeared, he grabbed on to it, and climbed up to safety. When he reached the top he found it to be the tail of a white horse grazing in the field above. He thanked the horse and asked for its help. She turned into a mountain mist, falling to the ground as water, thereby washing away the Norsemen who pursued him. This is now the waterfall in the park known as the “Grey Mare’s Tail”. (myth as told from Causeway Coast and Glens Myths Tour).

Official information: http://www.doeni.gov.uk/niea/nismrview.htm?monid=1476
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CLOGHBRACK, OSSIAN’S GRAVE

SMR Number	ANT 019:006	Additional Information…

Edited Type COURT TOMB: OSSIAN’S GRAVE OR CLOGHBRACK Townland LUBITAVISH Council MOYLE County ANT Grid Ref D2129028460 Protection State Care and Scheduled Parish LAYD Barony GLENARM LOWER Town General Type MEGALITHIC TOMB Condition SUBSTANTIAL REMAINS General Periods  [description of Periods] NEOLITHIC PREHISTORIC

Specific Type Specific Period COURT TOMB NEOLITHIC

Bibliography

BORLASE,W. 1897, I, 262-3 EVANS,E.E. & GAFFIKIN,M. B.N.F.C. SURVEY OF ANTIQUITIES: GRAY,W. JRSAI 16, 1883-4, 360 GRAY,W. P.B.N.F.C., 1883-4, APP.236 NO.6 HISTORY OF IRELAND (?) MEGALITHS AND RATHS. I.N.J. 1935, V, 247 O.S. FIELD REPORT NIO.132 O’LAVERTY,J. 1887, VOL.IV, 542 PSAMNI 1940, 9 UJA 13, 1907, 84, PLAN & PHOTO

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The Tiveragh Fairy Hill
Cushendall, Northern Ireland

Legend and lore have it that this very broad-sided hill with steep sides overlooking the small village of Cushendall in Northern Ireland is the gateway to Tir na nOg. A place very well known locally to be haunted by faeries, leprechauns, elves, and pixies … this giant hill is a natural fortress all on its own and easily seen to be claimed as a stronghold by the fae.

Fairy tales mention many stories about it rising on pillars during the twilight evening with a glimmering merriment of faeries frolicking and dining. Many believe that the wee folk live in this hill accessed by a nearby cave. As the warning goes, if ye are mortal, regardless of how appeasing the faerie music may sound, if you wander within, you’ll never be seen again on this plane of existence. Time holds a whole different rhythm in Faerieworlds.

We, however, of fae persuasion, did venture up the hill at the turn of twilight just as the sun went down. We spied the hill with visions of faerie impressions while across the valley atop Ossian’s Grave – the Megalithic tomb believed to be the burial spot of the fabled poet and bard Oisin. Now Oisin was lured into fae, into Tir na nOg, where he lived until he requested to return to the land of mortals to visit his family. Of course due to faerie time, he returned several hundred years later to find them all gone and deceased. He fell off his faerie steed and became a blind old man wandering these fields, eventually dying.

If the faerie tale is accurate, this would be the hill he would have ridden out of, and across the valley would have been his grave overlooking it … curious and more curious. Midway along the way up the base of the hill is one of the most magnificent Faerie Thorn Trees I’ve ever encountered. As usual with these faerie hills, I always find a wee hole just big enough for the Victorian-sized fae to enter within, usually lined with heavy rocks, making it look peculiarly like a miniature mine rather than an animal hole.

We climbed atop as the sun went down, empowered by the feelings of the ancient ones. Archaeologically, though, this may be a massive hillfort. I’m looking for those records and will post my findings here.

And their playing pitch was hardly as big
As my Uncle Barney’s potato rig;
And me there watchin’ them puck and clout
At the back o’ the wall with my eyes stuck out.

When all at once, like the squeal of a hare,
A wee voice shouted, “Who’s that up there?”
And a bit off a thing about nine – inch tall
Came climbing up to the top of the wall.

And he stood there; he stood about pot -size
With his two wee fingers up at my eyes,
And its God’s own truth that I’m speakin’ mind ye,
“Get out o’ that,” says he, “or I’ll blind ye!”

Aye that’s what he said, “I’ll blind ye,” says he,
And by Jing what he said was enough for me,
Did I run? Aye surely; I didn’t miss –
And I haven’t seen Tiveragh from that to this.

~ H.Browne

The Fairy Hill Tiveragh is a fairy hill and near to Cushendall,
And nobody goes there at night, no nobody at all.
The hill is small, the sides are steep.
And I have heard it said That flickering lights go in and out While everyone’s in bed.
And on the top two hawthorns grow, A white one and a red.

~ John Irvine Desmond

~ Yours truly, Leaf McGowan

Shannon Pot and the search for the Salmon of Knowledge

I was becoming intrigued by the Celtic tales of magical fish living in holy wells. My experience at the Pigeon Hole near Cong, on the border between County Galway and County Mayo in Ireland had only served to increase my fascination. There I had meditated and when I opened my eyes had actually seen the magic trout swimming in the water before me (see The Pigeon Hole and the Magic Trout )

My investigations led me deeper and deeper in Celtic mythology until inevitably I came across the most famous of all Celtic fish legends, the tale of the Salmon of Knowledge, said to live in a pool overhung by nine hazel trees who’s nuts carried the source of all wisdom and poetry.

The stories start in mythological times when the fairy folk ruled Ireland, the Tuatha De Danann:

“And they had a well below the sea where the nine hazels of wisdom were growing; that is, the hazels of inspiration and of the knowledge of poetry. And their leaves and their blossoms would break out in the same hour, and would fall on the well in a shower that raised a purple wave. And then the five salmon that were waiting there would eat the nuts, and their colour would come out in the red spots of their skin, and any person that would eat one of those salmon would know all wisdom and all poetry. And there were seven streams of wisdom that sprang from that well and turned back to it again; and the people of many arts have all drank from that well.”

Shakefest 2012
May 26-27th, 2012 * Charleville Castle * Tullamore * Ireland * Shakefest.net *

This year will be Shakefest’s “7th” Annual Dance and multi-cultural festival held at the historic epic Charleville Castle. The festival grounds is starting to bustle with activity as preparations are in the flow to welcome local and international community, visitors, friends, and family to celebrate culture. Since 2006, Shakefest has been bringing together an eclectic mix of Middle Eastern, Cultural Dance, and Artistic Workshops ending with a multi-cultural evening of dance performances. This year, Shakefest is expanding into more folklore, diversity, performance art, crafts, and themes for all ages, sexes, and cultures. This year features numerous workshops, classes, performances, and activities such as a “Faerie Glen” to get lost in, A “Madhatter’s Tea Party”, A bouncy Pirate Ship, Indian Cuisine, Performances by Tullamore’s “The Red Embers”, Galway Bellydance, Appolonia Tribal Bellydance, Sheeoneh, Nicole Volmering, and Aoife Hardiman.

Joana Saahirah ~ photo courtesy of Shakefest

This year’s International Guest Instructor is Oriental Dancer Joana Saahirah of Cairo, Egypt providing authentic education on Egyptian History and Folklore as well as Oriental Dance instruction in Classical, Saiidi and Alexandria of Mellaya styles. Declan Kiely will host a special workshop on how to “Dance like Michael Jackson”. Hip Hop, Jazz, Poi & Ribbon Dancing, Bachata and Argentinian Tango classes are also offered. There will also be African dance, poetry, open-mic sessions, a kid’s gigantic Dragonfly and butterfly hunt, punch and judy, juggling & stiltwalking by Stagecraft Ireland, Drum Circles, and a magic show. This year will also be breaking ground on a live history section with the KHI Medieval Re-enactors treating audiences to combat simulations of the Crusader’s Knight’s Templar with medieval tents, a full try-on armoury and archery for all ages.

KHI Medieval Re-enactors ~ photo courtesy of Shakefest

Featured musical performances by 40’s Swinging The Bugle Babes, Our Annual Multi-cultural Hafla, daring fire show by The Red Embers & Babylon’s Inferno, The North Strand Kontra Band from North Dublin. Dazzling Romanian and Bulgarian instrumental band is expected to finish off the fest with explosive energy and lively dance accompanied by original and traditional tunes from clarinet, saxophone, trombone, keys, banjo, double bass, and drums. If you’re travelling through Ireland this weekend or live in the magical isles, this event is not to be missed. Gates open at Noon on Saturday the 26th with admission only €10 general entry, €10 camping, €20 family day pass or only €15 for evening entertainment.  All proceeds will be going towards Charleville Castle Restoration Fund – Operation ‘Raise The Roof’ project in which money will be raised towards putting a protective roof on the castle chapel. We’ll be covering this event, so come back here for photos, review, and the stories we weave from the experience …

North Strand Kontra Band ~ photo courtesy of Shakefest

The Goddess Arduinna
Arduina, Arduinnae, Arduinne, Ardbinna.

Culture: Gallo-Roman, Gaulish, Celtic Mythology. Belgium; Luxembourg; France; Düren, Germany.

Similiar to: Gallo-Roman Goddess Diana.

Deity of: “Lady of the Forests”. Goddess of the Heights, Moon, Forests, and Hunting.

Sacred Animals, Plants, Stones, Etc.: The Boar.

Description:

Her name is derived from the Gaulish “arduo” meaning “height”. Several place names are named after her. Especially the Ardennes Woods (Arduenna silva), the Forest of Arden (England), and the personal names of “Arduunus” and “Arda”. Eponymous Goddess of the Ardennes Forest and region, represented as a huntress riding a boar especially in the present-day regions of Belgium, Luxembourg, and France – in the Ardennes region. The Goddess Arduinna considers wild boars sacred. There is a asteroid and a plant species named after her. The most popular reference of her comes from a Roman inscription in Rome, Ialy where she is invoked along with Camulus, Jupiter, Mercury, and Hercules. There is a bronze Gallo-Roman statue of a woman bearing a short belted tunic, riding a boar side saddle, and holding a knife assumed to be Arduinna by the 19th century antiquarian who discovered it as the modern symbol of the Ardennes region is a boar. She is known of first by two inscriptions – the Düren, Germany deae Ardbinnae (CIL XIII, 07848) and the Rome, Italy Arduinne (CIL VI, 00046). Her name derivatives are found on coinage of the Treveri and the Galatian ????. It was in 565 C.E. hat Saint Walfroy (Wulfilaïc) preached to his local parish and community in Villers-devant-Orval forbidding them to worship Arduinna any longer.

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Cabin in the Woods ~ (Rated R: 2012)
http://www.imdb.com/title/tt1259521/ * Director: Drew Goddard. * Written by Joss Whedon and Drew Goddard. * Starring: Kristen Connolly as Dana; Chris Hemsworth as Curt; Anna Hutchison as Jules; Fran Kranz as Marty; Jesse Williams as Holden; Richard Jenkins as Sitterson; Bradley Whitford as Hadley; Brian White as Truman, and many others.

Within the last several years, Hollywood and the film industry have been evolving and expanding the classical monster tale, as we watched through the ages, meandering from Frankenstein, the Mummy, the Werewolf, and Count Dracula towards a whole different species of Werewolves, vampires, and zombies. Then came the serial killers obsessed with pain, torture, maiming, and realistic, grotesque murder sprees self-styled after Ted Bundy, Fred West, or Jeffrey Dahmer, only to exaggerate to supernatural tales of Halloween, Friday the 13th, and the Texas Chainsaw Massacre. Now, a new sense of horror, going back to supernatural beliefs on Witches, Druids, Spirits, and creatures from the races of Darker Faeries come crawling out from their sidhe with vicious mermaids and mer-men, leprechauns, gremlins, goblins, orcs, giants, and titans.

The Old God/desses are being brought back to life. What one would imagine would be a typical hack n’ slash film by the title of “Cabin in the Woods” turned into a conspiracy theory, a Dark ancient Deities tale of human sacrifice at a high corporate level ploy to satiate the “ancient ones”. None other than a tale weaved by Buffy’s Joss Whedon to give that twisted plot some fantastical depth. These five friends go on vacation to a remote cabin in the woods, only to find themselves trapped and manipulated in a pseudo-realm where they are lined up to voluntarily sacrifice themselves to the dark spirits.

The five college-aged kids head off to a friend’s cabin in the woods and lose all communication with the outside world. During “party time” and unwinding, the cellar door mysteriously flips open, only to involve a truth or “dare” to investigate the darkness. Within is a treasure trove of artifacts, each with a secret and a beast to unleash. Meanwhile, they are monitored by a high-tech secret lab where the white coats bet on which creature they will face – Pinhead, the Mer-man, flesh-eating zombies, a ghoul, or a prehistoric monster of dinosaur proportions. Dana reads from the diary of an inbred hillybilly family, thereby awakening the now-dead family of deadly murderous zombies. But this is not the only laboratory experiment of what supernatural creatures will be unleashed, as the lab coats are monitoring similar setups from around the world, hopeful of a successful stint with the cabin.

As each of the college kids get knocked off, the ploy backfires as the “virgin” saved for the last, teamed up with the brainy pot-head discover the conspiracy and find their way down into depths uncovering an ancient temple lair holding back the ancient Titans from destroying the Earth – satiated by an annual sacrifice that was planned. None of the scenarios work out for the guardians, and literally “all hell breaks loose” as magical and supernatural beings, creatures, and monsters look at the lab coats and armed forces as a smorgasbord brunch. The Director of the agency, played by Sigourney Weaver, tells them the truth that the ritual involving sacrifice of the Whore (Jules), the Athlete (Curt), the Scholar (Holden), the Fool (Marty), and the Virgin (Dana) was to appease the “Ancient Ones” who lived beneath the facility. They had to die in archetypical order until the virgin remained. Werewolves, mer-creatures, unicorns, ghouls, zombies, and a giant serpent take their wraith. The Ancient ones rise to destroy the facility and the cabin. While an element of “kitch” and wacky elements loomed over the film, the special effects and deep mythical supernatural plot humored and entertained me. [Rating: 4 stars out of 5] Rating of four stars out of five. ~ Reviewed by Leaf McGowan.

Imbolc or Imbolg a.k.a. Candlemas, Groundhog Day, St.Brigid’s Day, L’ Fh’ill Br’ghde, L’ Fh’ile Bride, Feast Day of St. Brigid, Spring Festival.

Celebrated February 1st or 2nd annually in the northern hemisphere, and August 1st or 2nd in the southern hemisphere.

Cultures: Gaels, Irish, Scottish, Manx, Neo-Pagans, Celtic Reconstructionists, Neo-Druids, Wiccans, Druids, Pagans.

Represents hearth, home, lengthening days, early signs of Spring, the birthing of ewes, milking of Ewes, milk, first stirrings of Spring, St. Brigid, candles, and first feasts.

“I mbolg” is Irish for “in the belly” and refers to the pregnancy of ewes. It has also been referred to as Oimelc referring to “Ew’s milk”. Imbolc is a popular Pagan holiday celebrating the marking of the first stirrings of Spring. Most commonly taking place traditionally on February 1st or 2nd, can take place also as late as February 12th in the Northern Hemisphere, and by new European settlers in the southern hemisphere celebrated around August 1st.

It is a cross-quarter sabbat in modern Pagan faiths as a halfway mark between the Winter Solstice (Yule) and the Spring Equinox. The festival was first recorded to have been celebrated in the Middle Ages in Gaelic Ireland and was referred to as the “Tochmarc Emire of the Ulster Cycle” and was a cross-quarter day festival in Irish Mythology as one of four. The other four cross-quarter day festivals were Samhain, Beltane, and Lughnasad.

Many believe it first celebrated the Goddess Brigid and later turned to represent Saint Brigid. With the growth of the Neo-Pagan movement of Shamanism, Celtic Spirituality, Druidism, Wicca, and Witchcraft, especially in relation to Celtic reconstructionism, “Imbolc” was revitalized as a Neo-pagan religious festival. As it was followed by Candlemas on February 2nd, as the Irish “L Fh’ile Muire na gCoinneal” or “feast day of Mary of the Candles”, Welsh “G?yl Fair y Canhwyllau” the two festivals became blended together.

Because some Irish Neolithic monuments are aligned to this date, such as the Mound of the Hostages at Tara, it is believed the holiday was celebrated much earlier than the Middle Ages. It appears however for the first time from folklore collected during the 19th-20th century in Rural Ireland and Scotland. The holiday represents the hearth, home, lengthening days, early signs of Spring, the birthing of ewes, milking of Ewes, milk, first stirrings of Spring, St. Brigid, candles, and first feasts. It is celebrated with hearth fires, butter, milk, bannocks, divination, seeking of prophecy, omens, oracles, candles, bonfires, weather divination, Groundhogs, badgers, snakes, festivals of light, early Spring celebrations, celebrations of Fire, purification, the Goddess Brigid, or St Brigid.

The Annals of the Four Masters records Brigit to having died February 1st, 525 AD. Others believe this was the date of her birth. Because St. Brigid was believed to have died or born on February 1st, the date has been dedicated to her. The date also coincides with the Festival of St. Brigid of Kildare at this time. The association with Brigid / Brighid / Bride / Brigit / Brid, the festival is also related to holy wells, Brigid’s crosses, sacred flames, healing, poetry, smithcraft, and magic.

In Gaelic tradition, Imbolc also is the time of the “Hag” or the “Cailleach” who gathers her firewood for the rest of winter. If she desires a longer winter, she makes sure the weather on this date is bright and sunny so she can gather more wood. If she’s ready for it to be over, this date will be overcast, cold, or with foul weather. If the snakes come out of their holes, badgers come to the surface, or the groundhog sees its shadow, there will be more winter. If they do not come out, then they are asleep and winter is almost over.

The lighting of fires, candles, bonfires, and hearths represents the return of warmth and the growing power of the sun. As the Feast of St. Brigid, L’ Fh’ile Bride, and Li Feabhra – Candlemas and Imbolc is celebrated as the official first day of Spring. Craft-wise this is honored by the handcrafting of Brigid’s Bed when young unmarried girls would create a corn dolly representing Brigid called the Brideog (Little Brigid) adorned with ribbons, shells, and stones lying on a bed.

On St. Brigid’s Eve (January 31st) the girls would gather in a house for an all-nighter sleepover with the Brideog, only later to be visited by the single young men of the community to come to treat them and the corn dolly with tribute. As Brigid is believed to manifest of Imbolc Eve, another tradition is the leaving of a strip of cloth or clothing outside for Brigid to bless.

Fires that night when extinguished would have their ashes raked smooth, and in the morning, the fire caretakers would inspect the ash for any kinds of markings for a sign that Brigid came through the hearth. Cloth and clothing left out that night would be brought back into the house and believed to possess magical healing and protective energies. On Imbolc, the girls carry the Brideog through the community from house to house where offerings are given to her. The date is also celebrated by the weaving of Brigid’s Cross.

Neopagan celebrations of this festival vary from tradition to tradition, religion to religion. Much of the traditional rites associated with the practices today are based on reconstructionist theory in its beginnings evolving to new traditions today. As previously said, it is a time of purification, and therefore a time of initiations and new beginnings.

Bibliography/References:

• • Adler, Margot. 1979: “Drawing Down the Moon”. Boston: Beacon Press.

• • Bonewits, Isaac. 2006: “Essential Guide to Druidism”. New York: Kensington Publishing.

• • Carmichael, Alexander. 1992: “Carmina Gadelica: Hymns and Incantations”. Hudson: New York, Lindisfarne Press.

• • Chadwick, Nora. 1970: “The Celts”. London, Penguin books.

• • Cultural Heritage Ireland. “Festival of Imbolc and St. Brigit”. Website referenced March 2012. http://www.culturalheritageireland.ie/index.php/irish-history-from-the-annals/80-irish-history-from-the-annals/174-the-festival-of-imbolc-and-st-brigit

• • Danaher, Kevin. 1972: “The year in Ireland: Irish Calendar Customs”. Dublin, Mercier Books.

• • Hutton, Ronald. 1996: “The Stations of the Sun: A History of the Ritual Year in Britain”. New York: Oxford University Press.

• • MacKillop, James. 1998: “Dictionary of Celtic Mythology”. New York: Oxford University Press.

• Wikipedia: The Free Encyclopedia. “Imbolc”. Website referenced March 2012. http://www.wikipedia.org.

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