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Category: Living Myth

February 1st-2nd: Imbolc or Oimelc, Candlemas, St. Brigid’s Day

Posted on March 28, 2012 By Techno Tink No Comments on February 1st-2nd: Imbolc or Oimelc, Candlemas, St. Brigid’s Day
Events, Living Myth, Mythology, Religion

Imbolc or Imbolg a.k.a. Candlemas, Groundhog Day, St.Brigid’s Day, L’ Fh’ill Br’ghde, L’ Fh’ile Bride, Feast Day of St. Brigid, Spring Festival. Celebrated February 1st or 2nd annually in the northern hemisphere, and August 1st or 2nd in the southern hemisphere. Cultures: Gaels, Irish, Scottish, Manx, Neo-Pagans, Celtic Reconstructionists, Neo-Druids, Wiccans, Druids, Pagans. Represents hearth, … Read More “February 1st-2nd: Imbolc or Oimelc, Candlemas, St. Brigid’s Day” »

Irish Fairy Forts

Posted on January 9, 2012 By Techno Tink No Comments on Irish Fairy Forts
Faeries, Living Myth, Mythology, Sacred Sites, Sightings

These intriguing fortresses of old has always fascinated me conceptually once I read about them in the many legends and folklore of the Irish Faeries. However, it wasn’t until the last two years that I’ve had the chance to explore these raths of myths and tales in-depth and personally wondering if they are truly gateways into the Land of the Young, Tir Na Nog or the Faerie Otherworld.

Sinterklaas or Santa Claus?

Posted on December 28, 2011 By Techno Tink No Comments on Sinterklaas or Santa Claus?
Elves, Grumpus, Living Myth, Mythology

Sinterklaas, Odin, Father Christmas, Sint Nicolaas, Sint Nikolaas, Kris Kringle, De Goedheiligman (The Good Holy Man), or Santa Claus, are they all one in the same? Outside of parallels to Odin, the “Santa Claus” we know today seems to be stemmed from the Dutch belief of a jolly old man that was the Christian Saint … Read More “Sinterklaas or Santa Claus?” »

Thor, God of Thunder & Lightning

Posted on October 19, 2011 By Techno Tink No Comments on Thor, God of Thunder & Lightning
God/desses, Living Myth, Movies, Mythology

Thor ~ a.k.a. “God of Thunder”, Þórr (Old Norse), Þunor, Þunraz, or Donar (German), or þonar ????? (Runic).
~ The Germanic and Norse God of Thunder, lightning, storms, strength, oak trees, protection of mankind, healing, fertility, and hallowing.

From earlier than the Ragnarok mythology onwards to the 2011 Hollywood blockbuster film of the same name, “Thor” has been a stable part of human history, folklore, and mythology. He is commonly depicted as a “God of storms, thunder, lightning, oak trees, and/or strength” in most of his history throughout proto Indo-European religions and faiths. In Academic literature, he is mentioned alot from the Roman occupation of Germania, during tribal expansions of the Migration Period, from the Viking Age, and to the incorporation of Christianity into Scandinavia as well as Ireland. The English day “Thursday” is named after him as “Thor’s Day”. He is often described as red haired (head and beard), muscular, and fierce-eyed carrying his war hammer “Mjöllnir”, wearing his iron gloves “Járngreipr”, sporting his “Megingjörð” belt, and brandishing his “Gríðarvölr” staff. He is the son of Odin and Fjörgyn (Earth). From his father Odin, he has several brothers. He was married to the Golden haired Goddess “Sif”, Lover to “jötunn Járnsaxa”, father of the God/desses Þrúðr (valkyrie through Sif), Magni (through Jarnsaxa), Móði (through an unknown mother), and stepfather of Ullr. He has two very close servants – Þjálfi and Röskva. He has two favorite goats that pulls his chariot “Tanngrisnir and Tanngnjóstr”.

Throughout Norse myth, “Thor” is mentioned in numerous tales, and is referred to as potentially upwards of 14 different names. He is often corresponded to the Gaulish God of Thunder “Toran” or “Taran” and the Irish God “Tuireann”. He has been attributed with living in three dwellings through his history which are Bilskirnir, Þrúðheimr, and Þrúðvangr. He is often depicted as “reckless” and notable for the mass slaughter of his foes. He invokes fear and terror in battle, and it is with the mythical battle with the dragon-like serprent “Jörmungandr” in Ragnarok that he is very popular. He also was written about much in Viking Age folklore as “Th?rr” and is where in written history, he is first known. This was the period of time when he was the most popular as a defiant response to Christianity trying to take hold in the lands where they fused. Many “Vikings” often wore talismans representing his war hammer to oppose Christianity. As most of German history was unwritten, much of the written lore about Thor in relation to the Germanic peoples was done by their conquerors, the Romans. Within these writings, he was often merged with the Roman God Jupiter or Jove, or Hercules as first found in the works of Tacitus. He appeared on Roman votive objects and coins dating in Germanic regions as early as the 2nd and 3rd century of the Common Era (C.E. / A.D.). The first recorded instance of his name as “Donar” was on the Nordendorf fibula jewelry in the 7th century C.E. in Bavaria. By 723 C.E., Saint Boniface felled a oak tree dedicated to “Jove” which was called the “Donar Oak” in Fritzlar, Hesse, Germany. In the 8th century, there were numerous tales about “Thunor” (Old English version of “Thor”), as well as the poem “Solomon and Saturn” and the expression þunnorad (“thunder ride”). In the 9th century, the Old Saxon Baptismal Vow In Mainz, Germany records his name in directions on how to get Germanic Pagans to renounce their native Gods as Demons. By the 11th century, Adam of Bremen describes a statue of Thor in the “Gesta Hammaburgensis Ecclesiae Pontificum” that sits in the Temple at Uppsala in Gamla Uppsala, Sweden listing “Thor” as the ruler of the sky, governor of thunder and lightning, storms, winds, fine weather, and fertility. He was also described as looking like Jupiter. It is also at this time that two notable archaeological artifacts with runic inscriptions invoking Thor were created in England (aka “The Canterbury Charm” to call Thor for healing a wound by banishing a thurs) and Sweden (aka “the Kvinneby amulet” to bring forth protection by Thor and his hammer). By the 12th century, after Christianity took hold in Norway, Thor was still found heavily worshipped and invoked by the Norse for help. Iconography at this time of King Olaf II of Norway being christianized also held Thor’s elements and depictions. The 13th century “Poetic Edda” which was compiled from traditional sources from Pagan eras, Thor is mentioned in the poems Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð. “Völuspá” tells a tale and premonition of the future talking about the Death of Thor as he would be doing battle with the great serpent during Ragnarok and dying from its venom. It is after this that the sky turns black as fire engulfs the world, the stars disappear, flames will dance in the sky, steam will rise, the world will be flooded with water, and earth will appear again green and fertile. Through this rebirth, Thor reappears wading through the rivers Körmt, Örmt, and the two Kerlaugar where he will sit as judge at the base of the Yggdrasil (cosmological world tree). He is then depicted as travelling “from the east” by means of a ferryman Hárbarðr who is Odin is disguise and is rude to him refusing him passage forcing Thor to walk.
He arrives at Ægir’s home telling Ægir he must prepare feasts for the Gods.

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The Dreaming and Dreamtime

Posted on April 26, 2011 By Techno Tink No Comments on The Dreaming and Dreamtime
God/desses, Living Myth, Mythology, Otherkin, The Undead


Australian National Museum, Canberra, ACT, Australia

The Dreaming and “Dreamtime”

As I take a career and life journey’s “Walkabout” around Australia and Europe during the Summer of 2011, during my visit to the Australian National Museum I really for the very first time embrace the concept of the Australian Aborigine “Dreaming” and “Dreamtime” that I was first introduced to during my Anthropology of Religion class I took during my college years at Florida State University. Nevermore did the concept “sink” and “settle” in me more than at this time of my life that I could truly say in a “Stranger in a Strange Land’s” true essence of “grokking” the concept fully and spiritually. “The Dreaming” tells of the journey and actions of the Ancestral Beings when they were creating the natural world. An animistic narrative telling of a “timeless time” of formative creation and perpetual creating. This took place during a mythological era called “Dreamtime”. This is a sacred era when the ancestral Totemic Spirit Beings formed “The Creation”. The philosophy is infinite and demonstrates how the past and present is linked together to prophesize the future. The concept of “Dreaming” is often used to refer to a person’s or group’s set of beliefs and spirituality. The Australian Aborigine might refer to “Shark Dreaming”, “Kangaroo Dreaming”, or “Eucalypus Dreaming” and this would refer to particular natural items or life forms in their resident area or country, laying down patterns of life from which to follow. This creates their mythos, their creation stories, and their folklore as to why certain things have come to be. They believe that every person exists eternally in the Dreaming and represents both the spirit that existed before physical life began and is the spirit that exists after death as a “Spirit Being” or “Spirit Child”. The Spirit Being can only exist physically by being born from a mother, entering the fetus during the fifth month of pregnancy. Upon birth, that child is to become a special custodian of the land and country to which s/he was born, required to learn the stories, lore, and songlines of that particular place. Our natural world, especially that which is within one’s cultural heritage, race, and species, is what provides the link between the people and “The Dreaming”. The Act of Dreaming and the stories that are within them carry the truth from the past, blended together with the code for the Law, to operate and facilitate the present. Every story within “The Dreaming” weaved as creation through the “Milky Way” is a complete long complex tale, many of which discuss consequences and our future being. During the Dreamtime, the Australian Aborigines believed that the creators were both men and women who took on spiritual forms. These “cultural heroes and heroines” sometimes defined as spirits, other times as “God/desses”, would travel across a formless land, create sacred sites and significant places of interest during their travels weaving story and songlines that would guide the spirit beings they birthed in Creation. They joined together with various spirits to create the land, the waterways, the geographical features of the land, the skies, the seas, the plants, the animals, the stones, and all the other wo/men that exist. Every event that takes place would leave a record in the land. To the Dharawal, “Biami” the Great Spirit, went up into the skies to watch over their people and to make sure they obeyed his rules. Spirits habitating in waterholes, caves, and other spirit places to watch over or affect those people that lived near them. This was one of the reasons that another tribe would not conquer tribal lands for doing so would place them in a land full of strange and potentially hostile spirits. The Australian Aborigines believed in both good and evil spirits they called “Goonges”. Children would be warned not to go to certain areas for the “goonge will get them”. Same for the oceans, for they too contained spirits underneath the waters and explained deaths at sea, getting caught in a rip current, or attacks by various sea creatures. The Creators, or the Ancestral Spirits, were shape-changers who were half-human, both male and female, who used the powers, great wisdom, and intentions to create all of being. They lived and retired in the sky clouds. The Aborigine believed that every living creature were created by the Creators as “spirit-children” and/or “spirit animals” during the Dreamtime and were assigned to live in particular spirit places. They believed that their own birth was the result of a spirit child entering into the mother’s body and was brought into being during conception by the specific actions or designs of the creators to make spirit children in the Dreamtime. They also believed that after death their spirit would return to the spirit-place to await rebirth. It was in Dreamtime that the Creators and ancestral spirits created the world which we all live. The Australian aborigines embrace all of life and the phenemena that affects if as part of the vast and complex system of relationships that go back to the original acnestral Totemic Spirits of the Dreaming. The Dreaming establishes a culture’s and regional country’s laws, taboos, structures, and history in order to ensure the continuity of life and land in that area. Breaking these cause destruction to the areas that one’s spirit is meant to guard or caretake.


Australian National Museum, Canberra, ACT, Australia

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Milky Way and the Crocodile Story

Posted on April 26, 2011 By Techno Tink No Comments on Milky Way and the Crocodile Story
God/desses, Living Myth, Mythology

Australian National Museum, Canberra, ACT, Australia The Milky Way and Crocodile Story Upon wandering around the Australian National Museum in Canberra of the Australian Capital Territory, I discovered this fine bark painting. This unique Aboriginal folklore masterpiece consists of a application of ochres and polymer on bark with wooden restrainers attached to its rear. It … Read More “Milky Way and the Crocodile Story” »

Return of the Faeries: Da Return of De Faeries

Posted on April 8, 2011 By Techno Tink No Comments on Return of the Faeries: Da Return of De Faeries
Faeidism, Faeries, God/desses, Living Myth

Return of the Faeries: Da Return of De Faeries by Kelfin Patricks Oberon “The Apocalypse is upon us now ….”

"Haitian Horror" by Thomas Baurley

Posted on March 16, 2011 By Techno Tink No Comments on "Haitian Horror" by Thomas Baurley
Living Myth, Mythology, Religion, The Undead, Zombies

Haitian Horror – zombification as myth or reality was a report by Thomas M Baurley for Cultural Anthropology course at Florida State University July 26, 1989.

Elf Queen's Daughters and the Silver Elves

Posted on March 13, 2011 By Techno Tink No Comments on Elf Queen's Daughters and the Silver Elves
Faeries, Living Myth, Modern Fae, Otherkin, Religion

The Elf Queen’s Daughters and the Silver Elves

[ This is an update, revision, and expansion of our late 1980’s/early 1990’s pages on the Silver Elves and the Elf Queen’s Daughters we once had published on Geocities, then Faeid.com, then Treeleaves.com, Treeleavesoracle.org, and finally Technogypsie.com. After a bunch of internet research, interviews, correspondence, and discussions, this is the history we have assembled together of all we know about the Silver Elves and the Elf Queen’s Daughters. In addition, those pages are no longer separate and now condensed to a single file since the Silver Elves are now the official representatives of the Elf Queen’s Daughters. The Silver Elves assisted with revisions of this article in February 2011 ]

According to Wikipedia, The “Elf Queen’s Daughters” (EQD) were a group of elves originally operating from the South Bay area of San Francisco, California that later branched off to groups in Seattle, Washington. They had published a newsletter that was themed on “Bringing together male and female elves in celebration of ritual, magic, and the understanding of Fae”. They were Goddess oriented and referred to all of their members as “sisters”. They also possessed similar ecologically-based Pagan beliefs that are common with the modern “otherkin” movement as well as the Church of All Worlds, holding the image of the Earth in like respect to the “Gaia Hypothesis” – as a woman with trees for her hair, rivers for her veins, etc. as their image of the Earth as a physical Goddess, a living breathing Earth. Zardoa, who created “The Silver Elves” was first awakened by the Elf Queen’s Daughters in 1975. The EQD taught Zardoa the casting of Astrological Charts, the I-Ching, and various spells of Enchantment. As an EQD Vortex, Zardoa founded the “Elves of the Southern Woodlands” in 1975 in Carbondale, Illinois soon after his visit to the Aurora Vortex. He was soon joined by Morning Moonstar. Later in 1978, Aeona Silversong also joined the Elves of the Southern Woodlands and Zardoa gifted her that name. A few months later in the summer of 1978, Zardoa awakened Silver Flame who became a part of that vortex before she moved to Gainesville, Fl. She was so much a part of the vortex that when the vortex relocated to Gainesville, Florida in 1979, the group did so to be near Silver Flame. Upon relocation, the Elves of the Southern Woodlands changed their name to the “Sylvan Elves” and in 1980 began publishing the Magical Elven Love Letters in order to share knowledge of the Elven Way to those interested. The “Sylvan Elves” relocated to California in 1981 and took on the title of the “Silver Elves” as they are known today. In 2008 they relocated to Hawaii and are working on volume 3 of the Magical Elven Love Letters, An Elfin Book of Dreams: An Oracle of Faerie, and the Elfin Book of Changes. They are founders and elders of the “Elven Way”.

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Lost Girl: Season 1

Posted on January 8, 2011 By Techno Tink No Comments on Lost Girl: Season 1
Faeries, Faeries on TV, Living Myth, Mythology, Succubus, Television

  Lost Girl: Season 1 (Television NR: Showcase, 2010) Creator: M.A. Lovretta. Starring: Anna Silk, Kris Holden-Ried and Ksenia Solo; and many others. Its an expose of the Faerie world hidden within the human world where the season follows on the sensual charismatic Bo who never really felt at home with the humans tortured by … Read More “Lost Girl: Season 1” »

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