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The Dreaming and Dreamtime

Posted on April 26, 2011 By Techno Tink No Comments on The Dreaming and Dreamtime
God/desses, Living Myth, Mythology, Otherkin, The Undead


Australian National Museum, Canberra, ACT, Australia

The Dreaming and “Dreamtime”

As I take a career and life journey’s “Walkabout” around Australia and Europe during the Summer of 2011, during my visit to the Australian National Museum I really for the very first time embrace the concept of the Australian Aborigine “Dreaming” and “Dreamtime” that I was first introduced to during my Anthropology of Religion class I took during my college years at Florida State University. Nevermore did the concept “sink” and “settle” in me more than at this time of my life that I could truly say in a “Stranger in a Strange Land’s” true essence of “grokking” the concept fully and spiritually. “The Dreaming” tells of the journey and actions of the Ancestral Beings when they were creating the natural world. An animistic narrative telling of a “timeless time” of formative creation and perpetual creating. This took place during a mythological era called “Dreamtime”. This is a sacred era when the ancestral Totemic Spirit Beings formed “The Creation”. The philosophy is infinite and demonstrates how the past and present is linked together to prophesize the future. The concept of “Dreaming” is often used to refer to a person’s or group’s set of beliefs and spirituality. The Australian Aborigine might refer to “Shark Dreaming”, “Kangaroo Dreaming”, or “Eucalypus Dreaming” and this would refer to particular natural items or life forms in their resident area or country, laying down patterns of life from which to follow. This creates their mythos, their creation stories, and their folklore as to why certain things have come to be. They believe that every person exists eternally in the Dreaming and represents both the spirit that existed before physical life began and is the spirit that exists after death as a “Spirit Being” or “Spirit Child”. The Spirit Being can only exist physically by being born from a mother, entering the fetus during the fifth month of pregnancy. Upon birth, that child is to become a special custodian of the land and country to which s/he was born, required to learn the stories, lore, and songlines of that particular place. Our natural world, especially that which is within one’s cultural heritage, race, and species, is what provides the link between the people and “The Dreaming”. The Act of Dreaming and the stories that are within them carry the truth from the past, blended together with the code for the Law, to operate and facilitate the present. Every story within “The Dreaming” weaved as creation through the “Milky Way” is a complete long complex tale, many of which discuss consequences and our future being. During the Dreamtime, the Australian Aborigines believed that the creators were both men and women who took on spiritual forms. These “cultural heroes and heroines” sometimes defined as spirits, other times as “God/desses”, would travel across a formless land, create sacred sites and significant places of interest during their travels weaving story and songlines that would guide the spirit beings they birthed in Creation. They joined together with various spirits to create the land, the waterways, the geographical features of the land, the skies, the seas, the plants, the animals, the stones, and all the other wo/men that exist. Every event that takes place would leave a record in the land. To the Dharawal, “Biami” the Great Spirit, went up into the skies to watch over their people and to make sure they obeyed his rules. Spirits habitating in waterholes, caves, and other spirit places to watch over or affect those people that lived near them. This was one of the reasons that another tribe would not conquer tribal lands for doing so would place them in a land full of strange and potentially hostile spirits. The Australian Aborigines believed in both good and evil spirits they called “Goonges”. Children would be warned not to go to certain areas for the “goonge will get them”. Same for the oceans, for they too contained spirits underneath the waters and explained deaths at sea, getting caught in a rip current, or attacks by various sea creatures. The Creators, or the Ancestral Spirits, were shape-changers who were half-human, both male and female, who used the powers, great wisdom, and intentions to create all of being. They lived and retired in the sky clouds. The Aborigine believed that every living creature were created by the Creators as “spirit-children” and/or “spirit animals” during the Dreamtime and were assigned to live in particular spirit places. They believed that their own birth was the result of a spirit child entering into the mother’s body and was brought into being during conception by the specific actions or designs of the creators to make spirit children in the Dreamtime. They also believed that after death their spirit would return to the spirit-place to await rebirth. It was in Dreamtime that the Creators and ancestral spirits created the world which we all live. The Australian aborigines embrace all of life and the phenemena that affects if as part of the vast and complex system of relationships that go back to the original acnestral Totemic Spirits of the Dreaming. The Dreaming establishes a culture’s and regional country’s laws, taboos, structures, and history in order to ensure the continuity of life and land in that area. Breaking these cause destruction to the areas that one’s spirit is meant to guard or caretake.


Australian National Museum, Canberra, ACT, Australia

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"Haitian Horror" by Thomas Baurley

Posted on March 16, 2011 By Techno Tink No Comments on "Haitian Horror" by Thomas Baurley
Living Myth, Mythology, Religion, The Undead, Zombies

Haitian Horror – zombification as myth or reality was a report by Thomas M Baurley for Cultural Anthropology course at Florida State University July 26, 1989.

Vampire / Vampyre

Posted on February 9, 2011 By Techno Tink No Comments on Vampire / Vampyre
Mythology, Vampires, Vampyres

 


St. Michan’s Church Crypt, Dublin, Ireland
legendary inspiration for Bram Stoker’s Dracula

Vampires
A creature of lore, legend, folktale, and myth that is believed to be an undead human (human brought back from the dead) that either feeds on the blood or life force of living humans in order to survive. There is much controversy in the folkloric record on whether vampires either drank blood or just fed off the life energy of others. Some believe that “blood” is the best representation of “life essence” and is therefore what vampires need to survive. Vampires are mentioned and recorded in numerous cultures around the world, described in history as old as man him/herself. Older parallels of similar creatures in legend, such as the Old Russian “????? (Upir’)” seem to date much earlier at 1047 C.E. mentioned in a colophon in a manuscript of the Book of Psalms written by a priest who transcribed the book from Glagolitic to Cyrillic for the Novgorodian Prince Volodymyr Yaroslavovych calling him “Upir” Likhyi which translates to “Wicked or Foul Vampire”. Local and associated Pagan mythology suggests there was Pagan worship from the 11-13th centuries of “upyri”. There is mention of similar creatures throughout history in Greek mythology, Mesopotamian lore, Hebrew records, and Roman stories placing demons and spirits who fed on the life force of humans perhaps being the earliest vampires. Numerous world mythologies described demonic entities or Deities who drank blood of humans including Sekhmet, Lilith, and Kali. The Persians were the first to describe having blood drinking demons. Greek/Roman mythology spoke of the Empusae, the Lamia, the striges, the Gello, the strix, and the Goddess Hecate as demonic blood drinkers.
The documented case of Elizabeth Bathory who killed over 600 of her servants and bathed in their blood led to the reputation of her being a vampire. Same as with Vlad the Impaler of Count Dracula mythology of Transylvania who would impale his victims alive on upright stakes and would eat dinner while watching them suffer and slide down the poles in shrieks of torment. The Istrian (Croatia) 1672 legend of Giure Grando, a peasant who died in 1656, but was believed to have risen from the grave to drink the blood of the villagers and sexually harass his widow became a vampire-like legend. He was stopped by having a stake driven through his heart and then beheaded by the local village leader. Shortly after this legend, during the 18th century, a frenzy of vampire sighting in Eastern Europe went rampant including some notorious vampire hunting in Prussia (1721), Habsburg Monarchy (1725-1734), and the tales of Peter Logojowitz and Arnold Paole in Serbia.
Arnold Paole was a soldier who was attacked by a vampire. A few years later he became a farmer that died during harvest of his hay crop. He was buried and believed by the local villagers to be rising from the grave feeding off of them. The documented case of Plogojowitz, of a man who died at 62 only to return from the grave asking his son for food. Upon being turned down, the son was found dead the next day. Plogojowitz apparently had killed him as well as various neighbours by draining their blood. The Serbian tale of Sava Savanovic told of a man who lived in a local watermill that would kill the millers and drink their blood. This tale led to the creation of the 1973 Serbian horror film called “Leptirica”.
The term itself as “vampire” however was not utilized until the early 18th century during a time when vampire hysteria was rampant. The first use of the term “Vampire” came from a 1734 travelogue titled “Travels of Three English Gentlemen” published in the 1745 Harleian Miscellany according to the Oxford English Dictionary. The English term “Vampire” may have come from the french term “Vampyre” or the German term “Vampir”. These terms may have derived into the Serbian “??????/vampir”. During the early 18th century tales of vampires throughout Eastern Europe became rampant. Vampires were often associated as revenants of evil beings, suicide vicims, or witches; or from malevolent spirits possessing a corpse or being bitten by a vampire. It was during this time that the hysteria caused individuals, families, and communities to dig up the graves of suspected vampires and them mutilating the corpses, staking them, or conducting rites of exorcism. In 1718, after Austria gained control of northern Serbia and Oltenia, officials recorded local practices of exhuming bodies and “killing the undead”. Official recording of these practices from 1725 to 1732 led to widespread publicity of vampires. It was from this that led to many of the original vampire myths we have today that described vampires as either being in the form of a human, as a resurreced rotting corpse, or a demon-like creature roaming at night. Much of the hysteria was similar to the Witch Craze of the Inquisition. Neighbours would accuse the recently deceased for diseases, deaths, plagues, and tragedies that cursed the local village. Scholars at the time were steadfast that Vampires did not exist attributing the incidents to premature burials, rabies, or religion. However, the well-respected theologian and scholar Dom Augustine Calmet composed a 1746 treatise with reports claiming vampires did indeed exist. This was supported by Voltaire who claimed vampires were corpses who went out of their graves at night to suck the blood of the living, either at their throats or stomaches, after which they would return to the cemetery. This would lead the victim to wane, pale, and fall into consumption while the vampire would bloat, become fat, rosy, and become rejuvenated. They were disputed by Gerard van Swieten and the Empress Maria Theresa of Austria who passed laws prohibiting exhumation and desecration of bodies ending the vampire epidemics in Austria.
The “18th Century Vampire Controversy” or “Hysteria” gave birth to many fabricated myths and legends that lent stories about blood suckers evolving to the image we imagine of today when we think of “vampire”. Many of these images today come from writers, authors, and film. John Polidori’s 1819 novella “The Vampyre”, Bram Stoker’s 1897 novel “Dracula”, and the film “Nosferatu” are the main culprits for much of today’s image of a vampire, especially the pointed teeth, the sleeping in daylight, the drinking of blood, and sensitivity to sunlight. Stoker based much of his imagery and lore from former mythology of demons, faeries, and werewolves that he fit into the fears of late Victorian patriarchy. His book gave birth to a trend of vampire fandom that has lasted for over 100 years and still flourishing.
From Europe the vampire craze spread to parts of New England in the Americas, particularly Rhode Island and Eastern Connecticut. Paranoia and hysteria went rampant in the same manner as Eastern Europe’s 18th century Vampire Controversy. Documentation of cases with families accusing vampirism being the cause of the plague of consumption that devastated their communities. Families would dig up their dead to remove the hearts of suspected vampires. A very popular documented case was of the 1892 Rhode Island incident of Mercy Brown who died at age 19 of consumption, believed to be a vampire returning from the grave and feeding on her family and neighbours, was dug up by her father, had her heart cut out and burnt to ashes, only to be fed to her dying brother in attempts to save him from the rotting disease.
 


St. Michan’s Church Crypt, Dublin, Ireland
legendary inspiration for Bram Stoker’s Dracula

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Lost Girl: Season 1

Posted on January 8, 2011 By Techno Tink No Comments on Lost Girl: Season 1
Faeries, Faeries on TV, Living Myth, Mythology, Succubus, Television

  Lost Girl: Season 1 (Television NR: Showcase, 2010) Creator: M.A. Lovretta. Starring: Anna Silk, Kris Holden-Ried and Ksenia Solo; and many others. Its an expose of the Faerie world hidden within the human world where the season follows on the sensual charismatic Bo who never really felt at home with the humans tortured by … Read More “Lost Girl: Season 1” »

The Otherworld, The Underworld, The Sidhe

Posted on August 25, 2010 By Techno Tink No Comments on The Otherworld, The Underworld, The Sidhe
Faeries, God/desses, Living Myth, Mythology, Sacred Sites, The Undead

From the dawn of religious thought there has been belief in an Underworld and/or an Otherworld. A place where we are trapped when we die, disturbed or without resolution, that sits upon our world, sometimes referred to as Limbo, Hades, The Waiting Place, and the Inbetween. Many believe in a Hell and a Heaven. Others believe in a Summerland. Others do not. Some believe in Reincarnation. But just about everyone has an opinion about where we go when we die.

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