Faerie Lore and Legends

Brigid’s Cross

Brighid’s Cross
* Kildare, Ireland *
Another blessed part of my pilgrimage to Brigid and Kildare was learning more about Brigid’s Cross. I had the pleasure of Faerie Moe as a guide, a local friend giving me the tour of Kildare and the sacred wells as well as giving me an on-hand explanation on how to weave a Brigid’s Cross.

As a dedicant to the Goddess Brigid for over 20 years, in my early years, i fumbled at making them but never made anything as intricate and powerful as the crosses I saw at St. Brigid’s shrine and Sister Mary’s house. Amazing.

Many say that the St. Brigid’s Cross, a.k.a. Cros Bríde, Crosóg Bríde or Bogha Bríde, is actually an Irish symbol of sun worship representing the sun in the center with rays of light coming from it in the shape of the arms of the Cross. Some say it represents a Brigid legend wherein the story St. Brigid miraculously hung her wet clothes to dry on a sunbeam. It is also considered a Pagan sun wheel. They are traditionally made on February 1st for Lá Fhéile Bhríde (St. Brigid’s feast day).

It is also a symbol of Ireland and its provinces. Ireland has four provinces, but in ancient Ireland, there were five – an invisible one in the center of Ireland. To some, Brigid’s cross represents the four provinces (in the modern standard design) and in the 5 handed cross like shown in these pictures, representing the 5 provinces. The arms represent North, South, East, West, and Center. The 5th Province, the invisible one, is the province of healing and reconciliation.

Brigid’s Cross probably first appeared in Ireland between the 2nd century B.C.E. and the 2nd century C.E. It is a folk magic tradition of weaving together straw to create an equal-armed Celtic cross that represents the Goddess Brigid, or modern-day St. Brigid. Taking rushes that are woven together into a swastica-like /Celtic cross-like ornament, with a central square and four spokes protruding from each corner of the square in opposing directions, that has some variations found in Celtic art both ancient and modern.

Brigid’s cross appears often traditionally on February 1st, the eve of St. Brigid’s feast / Imbolc / or Candlemas. In some traditions, the Brideoga or Biddies, young virgin boys who would carry a churn dash (post used to churn butter) that is dressed up as a woman or an effigy of St. Brigid, and would go door-to-door through their neighborhood collecting alms for the poor.

While collecting alms, they would leave bundles of straw and rushes outside the homes that they visited. At nightfall, young virgin girls would pick them up and ask to be admitted to the homes in the name of Brigid and would weave the rushes into crosses. After traditional prayers and a meal at the homes, the crosses would be placed under the eaves in the house or in the outhouses and sometimes blessed with holy water. The leftover rushes would be woven into a girdle called a “crios” or a tie for cattle or sometimes as a Brid’s bed or mattress for the Saint.

Just as cattle were traditionally led through holy lakes or doused in water from Brigid’s well, they were often led through uplifted arches of these girdles. The Brid’s bed or holy mattresses were often placed at specific sacred wells and believed to possess curative powers to counter barrenness and to protect families and animals from natural calamities, especially lightning and fire. Some see Brigid’s cross as symbolic of the evolution of the Goddess into the Saint. The Brigid’s Cross magically is believed to protect a house where it hangs from evil and from fire. Because of this, it is often hung in kitchens.

The Brigid’s cross is commonly woven on February 1st or 2nd, the date of Celtic Imbolc or Candlemas, a time to celebrate Brigid in her maiden form – the winter elder “cailleach” is reborn the maiden in her phase of collecting kindling for winter fires and warming the hearth for spring when she becomes young again. (After serving the winter as the aged woman still collecting kindling to keep the fire going to rejoice the flame for her rebirth) As the inventor of “caoineadh” or “keening”, from the mourning of her son Ruadán’s death, she inadvertently created the art form to keen. Some say this is tied to the creation of Brigid’s cross.

At this time when the night sky turns to the North star, the big dipper turns through the seasonal year, creating patterns in the sky that the Brigid cross is said to invoke. To tie into the warming for spring, Brigid is the fire keeper of the eternal flame always burning in Kildare, keeping the people of Ireland eternally warm. During her conversion to becoming a nun led to the practice of Brigid’s cross, a craft many children and adults partake of weaving the kindling into a spiral form of Brigid’s cross.

Here is a great web site with diagrams of the weave: http://www.fisheaters.com/stbrigidscross.html

Faerie Moe weaving a cross