Licton Spring, Seattle: An American Holy Well

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Nestled in North Seattle, Licton Spring stands out as a rare survivor among American holy wells and sacred springs. It’s not necessarily a “holy well” in the traditional sense, as defined by the phenomena around Europe known as “holy wells”, but rather a magical spring that was frequented by Native American tribes, who sourced spiritual and magical essences.

Its name, derived from the Lushootseed word for red ochre, marks the site not only as a geological curiosity but as a spiritual heartland for the Duwamish and other Coast Salish peoples. For thousands of years, the vivid red pigment collected here was used in ceremonies, painting faces, homes and tools with a clay rich in cultural significance.

The ritual use of Licton Spring threads deep into First Nation folklore, giving the site a weight and presence not easily matched. Sacred gatherings drew high-born families who used the ochre for wedding rites, linking their lineage to this unique spring. Even now, elders return to its waters, honoring traditions that predate modern Seattle by centuries.

Today, Licton Spring’s legacy endures, with modern threats to its flow and sanctity sparking new discussions about stewardship and heritage. The site remains a point of reverence, its story connecting both past and present. For those drawn to folklore, holy wells, and sacred springs, this living source invites exploration into both ancient custom and ongoing community meaning. Gain further perspective by exploring the Licton Springs history or deepening your understanding of First Nation traditions.

Ancient Origins: The Duwamish, the Creator, and Licton Spring

At the heart of Seattle’s history and the folklore of its holy wells and sacred springs stands Licton Spring, a living monument to the relationship between the Duwamish people and their ancestral homeland. For generations, this iron-rich spring has anchored both ritual and daily life, revered as a lasting gift from the Creator (dókwibuA). Its enduring importance goes far beyond resource or landmark; it is woven into identity, ceremony, and the natural order that shaped Coast Salish culture.

The Name and Meaning of Lee’kteed (le’qtid)

The very name “lee’kteed” (le’qtid) holds keys to understanding the spring’s spirit. Known in Lushootseed, the local Salish dialect, lee’kteed refers to the vivid red ochre clay found only where Licton Spring rises. This rare ochre, both pigment and symbol, transformed the site into a wellspring of cultural practice. Used for ceremonial painting, the red earth became sacred through its scarcity and ritual use, not unlike the ochre collected at sacred sites around the world. Each season, Duwamish ancestors drew this ochre to mark faces, objects, and homes, asserting the presence of the Creator in both daily and sacred acts, affirming Licton Spring as a source of both color and life in the landscape of folklore, holy wells, and sacred springs.

Ceremonial Gatherings and Cultural Practices

Ceremonial gatherings at Licton Spring shaped more than tradition; they shaped entire lineages. Each year, high-ranking families of the Coast Salish would gather to collect the red pigment reserved for milestones such as marriage ceremonies. The spring’s ochre marked both beginnings and bonds. Nobility painted their faces and hands with lee’kteed and adorned their longhouses, sanctifying unions and sealing alliances. This ritual “painting of the bloodline” extended far beyond appearance, reaching into the heart of identity and kinship. Spiritual gatherings included song, storytelling, and remembrance, creating a living thread that connected past to present, making the spring central to cycles of celebration and renewal.

Sweat Lodges, Healing, and Herbal Traditions at Licton Spring

Sacred sites call for sacred spaces. Alongside Licton Spring, the Duwamish built sweat lodges, wu Xted (WUKH-Tud); as places for cleansing, prayer, and community healing. Participants would gather within these warm sanctuaries to sweat, release, and receive the blessing of the spring itself. The water, red ochre, and locally gathered herbs combined in rituals that cleaned both body and spirit. Red pigment mixed with healing plants smoothed onto the skin became medicine as much as symbol; a merging of the physical and the sacred. This tradition wrapped healing, spirituality, and place together, making Licton Spring not only a source but a sanctuary, a witness to the resilience of Duwamish custom. Through these practices, the spring remains central in the tapestry of folklore, holy wells, and sacred springs, radiating meaning across generations.

Colonial Encounters: Transition from Sacred Site to Spa Destination

The transformation of Licton Spring from a center of Indigenous ritual to a spa destination charts a telling chapter in the greater story of folklore, holy wells, and sacred springs. As the 19th century unfurled, curiosity and ambition branded this ancient site with new identities, pushing it into the limelight of early Pacific Northwest health tourism. Community hopes, personal stories, and commercial ventures all converged in this period, bringing forth changes that can still be felt in Licton Springs Park today.

Testing and Transformation: 19th Century Spa Aspirations

In the late 1800s, Licton Spring stood at a crossroads, its sacred waters suddenly subject to the tools and tests of Western science. When Seattle pioneer David Denny acquired the surrounding land in 1870, he looked beyond its spiritual renown and sought scientific confirmation of its merits. A formal testing of two local springs in 1883 revealed mineral riches; one, an iron spring (Licton Spring itself), the other, Sulphur Magnesia. The results helped ignite Seattle’s fascination with the curative powers of natural waters, driving the site into a new age as a health destination.

The folklore surrounding holy wells and sacred springs took on a modern face here. Denny’s own family became part of its healing mythology: his daughter, Emily Inez Denny, was reportedly cured of an “incurable disease” after drinking Licton Spring’s mineral water. Such stories, circulating by word of mouth and period newspapers, blurred the lines between tradition and progress, inviting new visitors eager to find their miracles. Early promotion for the spa promised relief for ailments ranging from arthritis and rheumatism to “tired arches,” anticipating the era’s wider fascination with the therapeutic potential of natural springs, a trend seen in spa towns across the world, as explored in the global history of wellness.

Spa ventures soon followed. The waters were not only offered to guests for bathing but also bottled and sold, their benefits extolled on signage and advertisements. The resort atmosphere invited city dwellers to escape the bustle of urban life and embrace the restorative spirit that had attracted Indigenous communities for millennia.

Rustic Shelters, Community Use, and Decline

As Seattle’s population grew and the hunger for recreation blossomed, Licton Springs drew renewed attention as a public space. At the turn of the 20th century, plans emerged to convert the natural spring into a carefully landscaped retreat. The renowned Olmstead brothers, whose park designs shaped cities across America, were commissioned to create rustic shelters and pathways around the spring, aiming to combine beauty, leisure, and wellness. While these ambitious plans found support among city leaders and health advocates, funding gaps and changing priorities left most of the vision unrealized.

Yet evidence of community engagement lingered. Photographs from the 1910s show crowds gathered around a stone ring built at the spring head, a modest but lasting gesture to mark the site’s local importance. It gained repute as America’s Chalice Well. In 1935, new investment arrived with Edward A. Jensen, who built modest thermal baths, further solidifying Licton Spring’s standing as a spa destination. Signs touted its healing potential, echoing the language seen at famous spa towns around the world, as highlighted in roundups such as notable historic spas.

Despite these efforts, the momentum faded by the mid-20th century. By 1960, the city purchased the grounds, and in time, the spa building and the bathhouse over the spring were torn down. Today, only a simple concrete ring encases the iron spring; a silent witness to decades of changing dreams and shifting values. The rituals of the Duwamish, the optimism of early settlers, and the communal hopes of later generations linger here, layered in the earth and memory, shaping the ongoing conversation around folklore, holy wells, and sacred springs.

Enduring Significance for the Duwamish: Rituals, Resilience, and Responsibility

Licton Spring continues to hold unwavering spiritual meaning for the Duwamish, far surpassing its value as a geographic feature. Over centuries, the site has anchored both ceremonial practice and guardianship traditions, surviving not only shifts in local culture but also the weight of outside pressures. The spring stands today as living proof of the Duwamish’s connection to their ancestral landscape; a connection that weaves together folklore, holy wells, and sacred springs across time.

Guardianship, Ceremony, and Threats to the Sacred Flow

The Duwamish see themselves not just as inheritors but as stewards of Licton Spring, tasked by the Creator (dókwibuA) to sustain its spirit and flow. This perspective aligns with their deep-rooted belief that the spring was a gift; intended to endure, unbroken, into future generations. Elders describe Licton Spring (le’qtid) as irreplaceable and inalienable, echoing a sentiment heard in many indigenous traditions where sacred water sites embody both cultural heritage and living memory.

Ceremonial duties at the spring remain vital threads in Duwamish identity. Seasonal gatherings are marked by quiet rituals; preparation for winter ceremonials, cleansing with mineral waters, and the gathering of red ochre. These acts affirm not only continuity with the past but also a sense of renewed promise, even as the wider world changes. Practices such as applying the ochre to faces and longhouse walls are more than tradition; they are living acts of guardianship and spiritual renewal.

Yet, the very existence of folklore, holy wells, and sacred springs like Licton Spring faces persistent threats. Urban development has encroached upon its source, putting pressure on the fragile water table below. The demolition of historic community landmarks nearby and major construction projects have, according to Duwamish elders, noticeably reduced the spring’s flow. For those who return season after season, these changes are not merely observed; they are felt, a lessening of the song that once ran through both water and ceremony.

The Duwamish remain vocal in their call to protect Licton Spring. They make clear, in ways both spiritual and practical, that this site cannot be recreated, moved, or replaced. Its loss would silence a unique relationship that spans centuries. Their experience reflects wider Indigenous struggles to defend sacred places across North America, where legal, cultural, and environmental barriers challenge the continuity of traditions that have outlasted empires and time. To better understand the depth of these challenges and how tribes fight to protect sacred spaces, the story of Indigenous legal barriers to protecting sacred lands provides a valuable wider context.

What emerges at Licton Spring is a lived resilience; a quiet resistance that refuses to break the chain between ancestor and descendant. Through ceremony, storytelling, and public stewardship, the Duwamish maintain their bond with the spring, inviting others to recognize its irreplaceable value. In the shadow and sunlight of the park, Licton Spring remains not just a feature of the land, but a pulse that sustains folklore, holy wells, and sacred springs for all who listen.

Licton Spring in a Global Context: Folklore, Holy Wells, and Sacred Springs

Stepping back from the Pacific Northwest, Licton Spring calls to mind ancient sites scattered across the continents; each rooted in its soil, tradition, and myth. Folklore, holy wells, and sacred springs form a network of sacred water sources woven into the story of humankind. While Licton Spring is unique to the Duwamish and Coast Salish, its role strongly mirrors a wider heritage where water and earth converge into ritual, legend, and healing.

The Sacred Power of Springs Around the World

Across cultures, springs have always carried more than water; they brought hope, sanctuary, and sometimes even fear. From the healing wells of Ireland to the red ochre sources of the Pacific Northwest, these sites have endured not simply for their substance, but for the layers of belief that cling to them. Licton Spring’s red ochre pigment has been compared to such global counterparts as England’s Chalice Well, where colored minerals seep from the ground, drawing pilgrims and seekers who imbue the place with ongoing spiritual meaning.

A few shared features connect most sacred springs:

  • Physical uniqueness: Whether it’s color, taste, or mineral content, something sets each spring apart from everyday water sources.
  • Healing reputation: Local folklore often claims these waters can cure illness, ease pain, or grant longevity. Across continents and centuries, the conviction remains that certain waters hold the power to heal body and soul.
  • Ceremonial use: Many holy wells have been stages for weddings, sacrifices, rites of passage, or annual gatherings. Ritual use solidifies the spring’s identity as sacred ground.

For a broad look at these themes, reviewing Holy wells and sacred springs in a cross-cultural compendium helps set Licton Spring within a long human fascination with special waters.

Mirroring Myth and Meaning: Licton Spring and Its Global Kin

The story of Licton Spring, with its ochre pigment and ceremonial harvests, resonates deeply with the tales found at other holy wells. In Sweden, as found in the Swedish Sacred Skalla Springs, water sources were honored through both pre-Christian and Christian rituals. The tradition of naming and ‘christening’ springs to adapt them to new eras appears in many European settings, echoing how North American Indigenous springs survived through shifting times by holding firm to their stories.

In Wiltshire, England, springs have gathered folk tales about stars falling into water, wreathing wells in a mystical aura. These legends, described in the Seven Wiltshire Wells Folklore, illustrate how communities shape springs into sites of wonder and grief, hope and healing.

Licton Spring’s own sacred pigment, harvested for marriages and body art, is matched by European customs of taking water for sacramental use. Both traditions center on the sense that these places are not only physical points on the land, but spiritual intersections where meaning flows as surely as the water.

From Ancestral Waters to Modern Study

Modern researchers and enthusiasts continue to explore why humanity shares such an enduring connection with sacred water. The universal belief in the power of certain wells is highlighted in historical reviews such as The Secret of Long Life? It’s All in the Water: Sacred Springs and Holy Wells. These studies reveal how hopes for blessing, healing, or protection encourage communities to center life around springs through centuries of hardship and change.

Licton Spring remains part of this global story, a vessel for both matter and meaning. While it wears its heritage in ochre and ceremony, it stands with kindred springs worldwide as a witness to the recurring belief that some places pour forth not just water, but wonder, remedy, and story.

Conclusion

Licton Spring stands apart as an enduring source of both wonder and wisdom. For thousands of years, its mineral waters have marked sacred gatherings, painted rites of passage, and anchored the shared memory of the Duwamish people. This red spring is a living witness to how folklore, holy wells, and sacred springs can shape culture, identity, and spiritual life across the ages.

As pressures mount from the modern world, the story of Licton Spring carries a clear message: safeguarding places like this preserves more than the land itself; it upholds an entire legacy of tradition, healing, and community. Folklorists, archaeologists, and holy well enthusiasts are called not just to study, but to act as stewards; protectors of stories and sites that hold rare layers of meaning. Explore why these springs matter through the lens of About Holy Wells and Healing Springs, and consider how small acts of respect and awareness today can echo through generations.

Honoring folklore, holy wells, and sacred springs is not a backward glance but an ongoing promise; to value wisdom passed down, defend what is fragile, and let the sacred flow undiminished into tomorrow. Thank you for engaging with this journey; your attention helps keep these stories and springs alive. Share your own reflections or tales below; each voice helps protect what matters most. This is one way we protect these ancient resources, preservation by the knowledge and dissemination of wisdom.

 


Manitou, the Great Spirit

Manitou – the Great Spiritu

Article by Thomas Baurley, Leaf McGowan, Technogypsie Research

In the heart of the Ute and many Algonquian Native American groups, the closest equivalent to the Christian concept of “God” would be the “Great Spirit” or “Manitou”, A God of many names. It is the spiritual and fundamental all-knowing life force, omnipresent, all-seeing, all-existing, and the combined spirit of all organisms, their environments, and life events.

“Aasha Monetoo” – The Great Spirit, divided by “Aashaa monetoo – “The Good Spirit” and otshee monetoo – “the bad spirit”. It is S/he of no sex that gave humanity the land, the sky, and the sea to the people. It was a well-known concept amongst many tribes, especially within the Algonquian family groups, even pre-contact and pre-Christianization by Euro-American contact.

European explorer Thomas Harriot recorded in 1585 in his glossary of the Algonquian language Roanoke the term “mantoac” meaning “Gods”. “Gitche Manitou” in Algonquian refers to “Supreme Being” or “Great Spirit”. In Shamanism, “manitous” (aka “manidoog” or “manidoowag”) are connections that are connected to achieve desired effects such as buffalo manitou for a good hunt, plant manitous for healing, and manidoowag as an aspect of the Great Connection.

The derivatives “manituw” are underwater creatures that were appeased with offerings from hunters for safe passage amongst the Iynu. The Canadian province “Manitoba” is named after Lake Manitoba coming from “manitou-wapow” – the Straight of the Manitou, divine passage through the rocks by the Creator. Manitoulin Island, or “spirit island”, is a very sacred place to the Ojibway or Anishinaabe tribes where they have placed sounding rocks and created sacred sites.

Fox Indians believed the manitou lived in the grandfather stones of the sweat lodge. When one heats the rocks, the heat of the fire forces manitou to come out of its place within the stones. It is released from the stones when water is added, following the steam, and entering the human body. Once inside, it moves all over the body driving out everything that inflicts pain. Before it returns to the stone, it imparts some of its nature to the body. This is why “manitou” is seen from volcanic waters, heated waters, or mineral springs as carrying a ride within the waters, entering the human body when it is drunk, and then healing the body in the process. The Colorado village of “Manitou Springs” is named after the local tribes’ belief that Manitou – the Great Spirit blessed itself in the mineral waters that rise up from the karst topography as a healing spirit – once drank into the body, cleansing, purifying, and healing the body as it travels within.

Manitou is also called “Wakan Tanka” amongst the Sioux tribes, Gitche Manitou in Algonquian, and other names around the varying peoples. Even though there is much evidence that many tribes and peoples, mostly Algonquian, believed in this concept, and being before Christianity affected their belief systems, other scientists believe that not all tribes believed in a supreme being until after the 18th century. It was during the 18th century that many saw the “Great Spirit” an anthropomorphic celestial deity who ruled over the world.

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Garden of the Gods (CO, USA)

Garden of the Gods

 

Garden of the Gods

1805 N 30th Street (at Gateway Rd)
* Manitou / Colorado Springs, Colorado * 719.634.6666 * http://www.gardenofgods.com/ * http://www.technogypsie.com/reviews/?p=545 * 
Originally first published May 9, 2009, by Thomas Baurley

Garden of the Gods is a unique natural geological park that is located in Colorado Springs and Manitou Springs … and is a Registered National Natural Landmark. It’s open from 5 a.m. to 11 p.m. in the summer and 5 a.m. to 9 p.m. in the winter. The park boasts over a million visitors a year or more.

History and Mythology

Where the Great Plains grasslands meet the low-lying pinon-juniper woodlands of the American Southwest at the base of the eastern slopes of the Rocky Mountains a geological upheaval occurred along the Trans-Rocky Mountain Fault system creating these spectacular features over a million years ago. Horizontal ancient beds of sandstone, limestone, and conglomerates were pushed and tilted vertically when the tectonic plates pushed together. Glaciations, wind, and water erosion shaped the features over hundreds of thousands of years.

This geologic feature was seen as sacred grounds by the original inhabitants of the area, potentially visited and used for spirituality possibly over 3,000 years ago to the present. As early as 1330 B.C.E. evidence of human occupation has been found from petroglyphs, fire rings, pottery, and stone tools have been left behind. The Ute Indians claim that their people always had lived where Garden of the Gods Park now stands and their people were created there and around Manitou.

The Kiowa, Apache, Shoshone, Pawnee, Cheyenne, and Arapaho also claim their peoples visited or lived here. It was known as a pivotal crossroads and meeting place for many indigenous peoples and nomadic tribes gathered together for peace. Rivaling tribes were said to even have laid down their weapons before entering the shadows of the sandstone features.

Garden of the Gods

 

Two sets of petroglyphs were found here – the first hidden in a crevice on the east side of South Gateway Rock depicting a circular shield-like figure divided into four parts with a rain cloud terrace image, a Thunderbird image, zigzag lines, and an image of wheat or corn and a faint flower-like image with a dozen dots forming a semi-circle over its top which some experts said was done recently in the last 100 years copying Indian designs from a book. The other petroglyph is pecking in the rock discovered in the 1980s and estimated to date to 1500 C.E. most likely a Ute Indian design potentially depicting a deer, a third of a buffalo head, and maybe a stone tool seemingly telling a story.

Alleged Native American legends of the site have been told, their authenticity is unknown. Marion E. Gridley wrote in “Indian Legends of American Scenes” telling a tale about a great flood that covered all the mountains nearby Pikes Peak. As the waters receded, the Great Spirit petrified the carcasses of all animals killed by the flood into sandstone rolling them down into this valley as evidence of the Great Flood.

The second was written by Ford C. Frick saying “… in the nestling ales and on the grassy plains which lie at the foot of the Great White Mountain that points the way to heaven lived the Chosen People. Here they dwelt in happiness together. And above them on the summit of the Mighty Peak where stand the Western Gates of Heaven, dwelt the Manitou. And that the Chosen might know of his love the Manitou did stamp upon the Peak the image of his face that all might see and worship him … but one day as the storm clouds played about the Peak, the image of the Manitou was hid .. and down from the North swept a barbaric tribe of giants, taller than the spruce which grew upon the mountainside and so great that in their stamping strides they shook the earth.

And with the invading host came gruesome beasts – unknown and awful in their mightiness – monstrous beasts that would devour the earth and tread it down … and as the invading hosts came on the Chosen Ones fell to the earth at the first gentle slope of the mountain and prayed to Manitou to aid it. Then came to pass a wondrous miracle, the clouds broke away and sunshine smote the Peak and from the very summit, looking down, appeared the face of Manitou himself. And stern he looked upon the advancing host, and as he looked the giants and beasts turned to stone within their very steps … “

If this site was in Australia or Europe, it would be named castles and fortresses associated with Gods, Deities, Spirits, or Faeries.

Garden of the Gods

 

Westerners first discovered the features in 1859 by two surveyors who were here to build Old Colorado City. M.S. Beach, one of the surveyors thought it would be a great location for a beer garden. The other surveyor replied to him stating “A Beer Garden? Why this is a fit place for the Gods to assemble. We will call it Garden of the Gods”. General William Jackson Palmer who was known for his contributions to building Colorado Springs convinced his colleague Charles Elliot Perkins to buy the 240 acres embracing the features. In 1909 his children donated the land to the city of Colorado Springs.

The original family that donated the land to the public required that it would always remain free, and that is what it remains today. Garden of the Gods stands as a great park for hiking, walking, bicycling, rock climbing, picnicking, special events, and weddings … The park has it all … protected as 1,387 scenic acres … and presents itself as a unique tourist/information center, with a theater and gift shop near the entrance. Within are 15 miles of trails ranging in various levels of difficulty from beginner to advance for hiking and exercise.

A historical video greets you at the welcome center and tells the tale that began in the 1870s when the railroads carved westward when General William Jackson Palmer founded the city of Colorado Springs and upon discovering this natural beauty, urged his friend Charles Elliott Perkins, the head of Burlington Railroad, to make his home where the park now stands. He lived there until he finished his railway from Chicago to Colorado Springs. His railroad project wasn’t a success and never made its destination in the springs.

His homestead eventually became his summer home in 1879. He purchased 480 acres and never actualized building on it, leaving the land in its natural state and for the public. When he died in 1907, he made arrangements for the land to be a public park, and this was enacted by his children in 1909 forever as the Garden of the Gods “where it shall remain free to the public, where no intoxicating liquors shall be manufactured, sold, or dispensed, where no building or structure shall be erected except those necessary to properly care for, protect, and maintain the area as a public park.” That is exactly what they’ve done …. and it’s a beautiful place to be.
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Klickitat the totem maker (Mt. Adams)

Photos and Tales to come – coming soon…

Story of the Bridge of the Gods: Geologically this is one of the shortest crossing areas between Oregon and Washington over the Columbia River. It is believed that a thousand years ago there was a massive landslide from the north shore of the Columbia River that slid into the river and blocked the Gorge. It created a natural dam and inland sea that extended between Oregon, Washington, and Idaho.

As river pressures began carving out natural bridges and tunnels under this landslide to outlet into the Pacific, eventually the blockage dam was washed away. Some say it originally carved a large natural stone bridge that the Native Americans believed was created by the Gods. Legend has it this land bridge eventually collapsed back into the Columbia River, destroying the inland sea, and creating the Cascade rapids.

Native American legends tell a tale that the Great Spirit Manito created this bridge so his peoples of the Columbia River could cross the river from bank to bank, and it was so-called the “Giant Crossover”. This Great Spirit assigned the Wise woman Guardian Loo-Wit to watch over it and protect the river, bridge, and peoples of the area. Out of fear and respect for the Great Spirit, the tribes would appeal for protection while crossing the river. It was eventually called the “Bridge of the Gods” translated and nicknamed as such by the white westerners who came through the area.

Manito had sent his sons to earth – the three great mountains: Multnomah the Warrior (Mt. Rainier), Klickitat the totem maker (Mt. Adams), and Wyeast, the singer (Mt. Hood) who all presided over the river and the bridge peacefully for many years until the beautiful Squaw Mountain moved into the valley between Klickitat and Wyeast. She fell in love with Wyeast while still flirting with Klickitat, causing rivalry and jealousy between the two causing the mountains to fight over her. Their arguing, growling, trembling, and feuds caused lava, ash, and earthquakes to form in their path – and each other hurling white hot rocks at each other. This destroyed the forests, environment, and beauty of the valley – and broke the bridge causing it to fall into the river never to be seen again.

Manito was so upset by this, he formed huge rapids in the Columbia River to separate the feuding brothers. Klickitat won Squaw Mountain’s heart and Wyeast admitted defeat, much to the dismay of Squaw who loved him so, and although at the side of Klickitatt with a heavy broken heart, became depressed and fell into a deep permanent sleep and sits today as “Sleeping Beauty” lying just west of Mt. Adams.

Klickitat under such shock from Squaw’s depression, once with a high straight head like Wyeast, fell with grief that he dropped his head in shame and never raised it again. Loo-Wit got caught up in the cross-fire during this battle and fell with the bridge. the Great Spirit rewarded her with a wish, and she asked to be made young and beautiful again – but being old, she did not require companionship so chose a lonely location. She became the most beautiful of all mountains and made her home far west as the beautiful and powerful Mount Saint Helens.

 


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